After having watched The Sopranos, you might find yourself watching other shows and thinking “What, no ziti?” No other series can match the transparency bada bing from the acclaimed HBO drama, which starred James Gandolfini as therapy gangster Tony Soprano. There just aren’t enough tracksuits on TV these days.
However, it is important to diversify. If you’ve exhausted your remote rewinding the final seconds of David Chase’s groundbreaking series and are looking to take on a new challenge, there are plenty of excellent series that capture elements of The Sopranos‘ appeal, whether you’re looking for more layered antiheroes, brutal crime dramas, or nuclear families with big problems.
Looking for more recommendations on what to watch next? We have a ton! And if you’re looking for other handpicked recommendations based on the TV shows you love, we have them tooas well as recommendations for Netflix (movies/shows), Amazon Prime Video (movies/shows), Hulu (movies/shows), Disney+ (movies/shows), HBO Max (movies/shows), AppleTV+and peacock.
Of course, the first thing to do Sopranos fan should check when they miss the series is the prequel movie that tells us how it all started. The film, set against the backdrop of the 1967 Newark race riots, takes us back to old-time New Jersey, when Tony Soprano (played here by James Gandolfini’s son Michael Gandolfini) was just a teenage learning the tricks of the gangster. of his uncle Dickie Moltisanti (Alessandro Nivola), a conflicted mobster struggling with his own host of personal and professional problems. (Sound familiar?) Reboots/revisits/reimagines/re-what of beloved properties can often be hit and miss with fans, and your mileage may vary here, but this one has a lot to offer, including the involvement of David Chase (he served dual roles on the film as screenwriter and producer), and narration provided by Christofuh himself, Michael Imperioli (although the character only appeared onscreen in as a baby). –Allison Picurro
Does he even need to say it? Thread and The Sopranos are tied together not just as HBO’s two great crime dramas, but as two of the greatest television shows of all time. Created by David Simon, Thread is a sprawling study of American corruption, weaving together stories that range from Baltimore’s drug trade and its seaport to local government and the education system. It’s an unwavering dig into a city, told with documentary-worthy candor that’s far from The Sopranos‘ more dreamlike art style. Thread actions The Sopranos‘ interest in exposing the American underbelly, but more than anything, what the two shows have in common is just that they’re both incredibly good.
If you haven’t hunted yet The Sopranos with Mad Menlet that be your sign. Sopranos Writer-producer Matthew Weiner’s brilliant Golden Age drama about 1960s advertising is as good as advertised – and, as The Sopranosmuch funnier than its serious reputation suggests. Mad Men pulls back the curtain on a high-flying world that’s almost as insular as the Mafia, and its painstaking chronicling of a tumultuous decade makes it better than any show for capturing what it feels like to live through the story. For all his looks, Don Draper (Jon Hamm) is also just a guy in a suit watching the times change around him. He’s not a Tony Soprano-type anti-hero because he has less control over his world. The magic of Mad Men just saw him charm the world by thinking otherwise.
Another dazzling period drama on The Sopranos‘ family tree, Boardwalk Empire rewinds New Jersey’s criminal history back to the Prohibition era. Created by Sopranos writer-producer Terence Winter (and executive produced by Martin Scorsese, who also directed Boardwalk Empire‘s pilot), the stars of the series Sopranos alum Steve Buscemi as Nucky Thompson, a corrupt politician loosely based on historic crime boss Enoch L. “Nucky” Johnson. Inspired by the stories of real gangsters and other kingpins, Boardwalk Empire paints a rich portrait of Atlantic City’s most infamous era. It is tempting to sum it up to The Sopranos with flaps; the show is more than that, but isn’t it more than enough?
As breaking Bad creator Vince Gilligan said, “There would be no Walter White without Tony Soprano.” The Sopranos paved the way for Gilligan’s propulsive thriller about another of television’s great repulsive antiheroes, a chemistry professor who unleashes his capacity for brutality when he gets into the meth business. breaking Bad is an exciting race with some of the best spectacular payouts since The Sopranos, and it strikes a similar balance between Walt’s (Bryan Cranston) underworld relationships and his fractured family. But don’t jump breaking Badis a spin-off, You better call Saul, a calmer, tighter and, yes, even better series about the transformation of rambling lawyer Jimmy McGill (Bob Odenkirk) into a shady criminal ally known as Saul Goodman. In a television landscape where it’s too easy to worship bad guys, Saul will make you feel the moral weight of every bad decision. (Plus, Rhea Seehorn’s Kim Wexler is the best character on TV.)
Forget the weekly question of who might get hit; The Sopranos is truly a family drama about the rotten core of the American Dream. In this sense, its best successor is Americans, Joe Weisberg’s exquisite Cold War spy series. Matthew Rhys and Keri Russell are electric as a pair of Russian intelligence officers posing as an American couple, complete with a white picket fence and two none-better-behaved kids. As The Sopranos, Americans finds the violence behind the closed doors of a perfect home, making every world conflict a metaphor for domestic life. This is the best show of the 2010s. Philip and Elizabeth weaponize their secrets as well as Tony and Carm.
If what you really want The Sopranos is even darker (in tone, but also literally, visual darkness), look Gomorrah. The chilling and authentic Italian drama follows a crime family in Naples that is under siege as the family boss, Pietro (Fortunato Cerlino), feels his power slipping. Gomorrah is dark compared to The Sopranos‘sentimentality; Pietro’s ruthless savagery is enough to make Tony Soprano soft. There are also echoes of Thread in how the series expands to explore the networks of corruption in the city. The basic scheme of Gomorrah is familiar, but it tells its story so masterfully you still won’t be able to look away.
Looking for more girlfriends in your crime drama? American Network queen of the south stars Alice Braga as Teresa Mendoza, a Mexican who teams up with a woman from her past (Veronica Falcón), the head of an American cartel, to take down the drug ring that killed her boyfriend and pursues her. Soon, Teresa is raising money atop her own drug empire. It’s a fun and just gritty enough series with a soapy telenovela flair. The real star is Alice Braga’s commanding performance, which anchors the show when it’s craziest.
Peaky Blinders isn’t this the first period drama on this list to be set in the decade after World War I, but this time it’s British, innit? American viewers may want to dig deeper into UK history to follow this lush and gory gangster drama about a crime family led by the ambitious Tommy Shelby (Cillian Murphy). The scope of the series widens with Tommy’s influence, and what begins in Birmingham morphs into a story of international political intrigue. The cast of Peaky Blinders is equally sprawling, a who’s who of hard-working English and Irish actors that includes Helen McCrory, Tom Hardy, Sam Neill, Josh O’Connor and, in later seasons, Anya Taylor-Joy, Kingsley Ben-Adir and Aidan Gillen. . Yes The Sopranos played virtually every actor in the British Isles, that would be Peaky Blinders.
The anguish of death hovers The Sopranos, from Tony’s first therapy session to that dark ending. Death is also the star of the great Alan Ball, somehow still underrated Six feet Under ground, which follows the Fisher family as they run the Los Angeles funeral home passed down by their recently deceased father. Led by a solid cast that includes Peter Krause, Michael C. Hall, Frances Conroy and Lauren Ambrose, the series delves head-on into the mysteries of mortality and grief; each episode begins with a different death, and many of them will haunt you. Through the dysfunctional family at its center, Six feet Under ground also wrestles with the legacies people inherit from their parents in a way that should resonate with fans of the most messed up Soprano family interactions. It’s a heavy sight, but it’s worth it – especially since it all leads to a breathtaking end of series.